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Continue reading: American Gangster Review Maggie Malone (Jenna Mattison) is the type of girl that exists only in the movies: She lives in San Francisco, works in a bookstore (where virtually no one ever shops), rides her bike everywhere (invariably downhill), has a cat and lots of candles, and is friends with the homeless guy who lives in the alley downstairs (he even watches her bike for free! She's so quirky she shakes hands with a waiter at a fancy restaurant! Maggie Malone's story, alas, is almost too cliched even to exist in the movies.
Nonetheless, it tends to irk any true movie fan to see great movies remade badly.
How many more movies do we need about a rough neighborhood full of lifelong friends hopelessly turned to crime or worse?
The enormous catalog of such movies might dissuade a filmmaker from making yet another, but here we have it. Five Irish kids in NYC's Hell's Kitchen make an overemotional pact over some stolen rings on an anonymous rooftop.
Ridley Scott has a good thing going here, tossing these two Hollywood bigshots into the ring and letting them play cops and robbers while he slathers on the period detail with a trowel.
There's some serious Superfly outfits (including a godawful ,000 chinchilla coat that plays a surprisingly key part in a plot twist), a generous helping of soul music, enough fantastic character actors to choke a horse (Idris Elba, Jon Polito, Kevin Corrigan, an incredibly sleazy Josh Brolin, and so on), the specter of Vietnam playing on every television in sight, and the odd enjoyment one gets from watching cops in the pre-militarized, pre-SWAT days take down an apartment with just revolvers, the occasional shotgun, and a sledgehammer to whack down the door.
Assemble a decent, if not strong, cast, as writer/director Robert Moresco has done with One Eyed King, and you're already ahead of the game.
But rehash old plot lines, tired dialogue, and standard clichés, and a well-intentioned effort such as this one could jeopardize your chance at a second feature film.
This comic book movie intro is getting popular (the third time I've seen something like it this year), and it's getting really, really old.
After the comics are laid out, we have a screenfull of text, explaining the mind-numbingly unoriginal premise of Judge Dredd, which is this: in the future, the world sucks.
Fortunately, director Oplev brings the same slick-steely style to the film as his original The Girl With the Dragon Tattoo.
And the always watchable Farrell and Rapace get solid support from Howard and Abraham, as well as Cooper (as Victor's brother in arms), Huppert (as Beatrice's busy-body mum) and the underused Assante (as the big boss).
At first I didn't know why there was a voice-over attached to this text, but then I realized that most of the audience of the film probably couldn't read.